Journal of the stylistic of Persian poem and prose
volume Number 15، number In Volume 1، April 2022 ، issue Number 71

Stylistics of Persian poems by Morteza Gholi Khan Khan Shamloo

Abdolreza Seif (Author in Charge), Leila Mamipour Kalkhoran

Abstract

BACKGROUND AND OBJECTIVES: Morteza Gholi Khan is one of the governmental, literary and cultural figures of the Safavid era, and since he is one of the pioneers and leaders of calligraphy, more attention has been paid to his calligraphy and his biography and works are not mentioned in the history books of literature. Morteza Gholi Khan has two poetry collections in Persian and Turkish. He himself has stated that the number of verses of his divan is about twenty thousand verses. In this research, we intend to determine his literary position by examining his poetry style.

METHODOLOGY: In the present article, based on library studies and descriptive-analytical method, the stylistic features of Morteza Gholi Khan Khan Shamloo Persian poems have been studied and analyzed.

FINDINGS: There are often common themes in the Indian style in the poetry of Morteza Gholi Khan. Since he has written the poems of his former and contemporary poets, the influence of the poetry of poets such as Khaghani, Nezami, Sa’adi, Rumi, Hafez, Babafaghani, Mullah Mohsen Feyz Kashani, etc. is evident in his poetry.

CONCLUSION: The language of most of Morteza Gholi Khan"s poems is inclusive, simple and far from poetic. He himself says that in Ghazal he follows the style of Saeb Tabrizi, but in some cases his poems prove that he paid special attention to the poetry of people like Bidel Dehlavi and Kaleem Kashani. However, there are all elements of Indian style in Morteza Gholikhan"s poetry, but what distinguishes his poetry from the poetry of his contemporaries is the use of terms and expressions related to calligraphy and calligraphy, which sometimes in simple and sometimes complex language are the basis of his poetic fantasies. Has been.

Keyword
Morteza Gholi Khan Khan Shamloo , Indian style , Safavid poetry , Stylistics

• Babafaghani Shirazi. (1961). Edited by Ahmad Soheili Khansari. Tehran: Iqbal. p. 122.
• Bayani. M. (1979). Conditions and works of calligraphers with examples of beautiful lines. To try Hossein Mahboubi Ardakani, Tehran: University of Tehran. V 4. p. 268.
• Hassanpour Alashti. H. (2005). Fresh style, stylistics of Indian style lyric; Tehran: Sokhan.
• Monzavi. A. (1993). War of Morteza Gholi Khan Khan Shamloo (belongs to the library of the Great Islamic Encyclopedia Center. Kelk. Bahman and Esfand.
• Nafisi. S. (1984). History of poetry and prose in Iran and in Persian. Tehran: Foroughi. v. 1. p. 658.
• Nasrabadi, M. T. (1999). Note of Nasrabadi. Introduction Correction and comments by Mohsen Naji Nasrabadi. Tehran: Asatir.
• Safa. Z. (1994) History of Literature in Iran, Tehran: Ferdows, Vol. 5: 554.
• Shafiee Kadkani. M. R. (1992). The Poet of the Mirrors: A Study of the Indian Style in Biddle Poetry. Third edition. Tehran: Agah.
• Shamisa. S. (2004). Generalities of Stylistics, Tehran: Mitra.
• Shamloo. M. G. (2003). War of Morteza Gholi Shamloo, collected in 1069 AH. (Facsimile) Bibliography and cataloging by Iraj Afshar, Ahmad Manzavi. Tehran: Center of the Great Islamic Encyclopedia.
• Shamloo. M. G. K. (No date). Collection of Divan Hassan and Morteza. F 2517. Copy of Mr. Haj Seyed Abolfazl Saeedi Reyhan Yazdi.
• Shamloo. M. G. K. (1263 AH). Divan. No. 4605. Manuscript of the National Library and Museum of Malik.
• Shamloo. M. G. K. (1310 AH). Divan. No. 4586. Manuscript of the National Library and Museum of Malik.
• Shamloo. M. G. K. (No date). Divan. No.5111. Manuscript of the National Library and Museum of Malik.
• Shamloo. M. G. K. (No date). Poetry anthology. No. 5111. Manuscript of the Islamic Consultative Assembly.
• Writers' group. (2004). Calligraphy (illustrated). Translated by [Amir Kabir]. Under the supervision of Peyman Matin. Tehran: Amirkabir. P. 82.